Discoveries of the Leonardo Da Vinci DNA Project

Biologists in the Leonardo Da Vinci DNA Project have shared a trio of fascinating, innovative papers.

Manolito G. Torralba, Claire Kuelbs, Kelvin Jens Moncera, and Karen E. Nelson of the J Craig Venter Institute, La Jolla, California, and Rhonda Roby of the Alameda California County Sheriff’s Office Crime Laboratory, used small, dry polyester swabs to gently collect microbes from centuries-old, Renaissance-style art in a private collector’s home in Florence, Italy. Their findings are published open access in the journal Microbial Ecology, “Characterizing microbial signatures on sculptures and paintings of similar provenance.”

Concurrently available are a pair of papers by David Thaler, of the University of Basel and a guest investigator in the Program for the Human Environment.  David’s papers are

“Evidence for extraordinary visual acuity in Leonardo’s comment on a dragonfly,” and “Sfumato in Leonardo’s portraits: Optical and psychophysical mechanisms.”

Thaler’s papers form part of a collection now in press as a book: Actes du Colloque International d’Amboise: Leonardo de Vinci, Anatomiste. Pionnier de l’Anatomie comparée, de la Biomécanique, de la Bionique et de la Physiognomonie, edited by Henry de Lumley, CNRS editions, Paris.

Two major newswires, Agence France Presse and Agencia EFE, each did separate stories:

Manny Torralba et al.
AFP Microbes Could ‘help Save Old Masters’ And Catch Forgers

Agencia EFE Identificar microbios en obras de arte abre la puerta a una mejor preservación

David Thaler

AFP  Leonardo da Vinci’s ‘quick eye’ may be key to Mona Lisa’s magnetism  

German version Forscher: «Schnelles Auge» half da Vinci beim Zeichnen und Malen

https://www.eluniversal.com.mx/cultura/artes-visuales/la-rapidez-visual-de-da-vinci-explicaria-la-sonrisa-de-la-mona-lisa

Agencia EFE La rapidez visual “súper desarrollada” de Da Vinci podría explicar la sonrisa de la Mona Lisa

LiveScience, United States Did Leonardo da Vinci’s ‘quick eye’ help him capture Mona Lisa’s fleeting smile?

By Leonardo Da Vinci DNA Project (summary)

Genetic detectives ID microbes suspected of slowly ruining humanity’s treasures

La Exposición: Leonardo da Vinci ‘Los rostros del genio’

November 30, 2018 – May 19, 2019

Leonardo da Vinci: the faces of the genius,” an exhibition curated by our esteemed colleague in the Leonardo DNA Project, Christian Gálvez, opened in Madrid on 30 November.

Team members José Lorente and Ross King did participate in the opening conferences.  The exhibition includes a special section about our search for Leonardo’s DNA.  A 640-page catalog in Spanish and English is available.

Many Leonardo DNA Project team members visited it during the annual conference before it closed.  Congratulations to Christian for the 150,000 visitors that have shaped Leonardo’s face during these past months in Madrid.

 

Insight Lecture – February 12, 2018

Insight Lecture Series
The Leonardo Da Vinci DNA Project:
Exploring the Intersections of Science and Art

Featuring:
Jesse Ausubel, Karina Åberg, and Thomas P. Sakmar
Monday, February 12, 2018
6:00–7:15 p.m.Caspary Auditorium
The Rockefeller University
1230 York Avenue at East 66th Street
New York, NY 10065

DNA sequencing has revolutionized the study of human genetic variation, and insights derived from DNA now matter in diverse settings – from hospitals to courtrooms. Scientists are now also exploring information that DNA might yield about cultural heritage. For example, what can it reveal about works of art and their creators?

Leonardo da Vinci is widely recognized as one of the most extraordinary figures in human history. Leading up to the 500th anniversary of his death in 2019, an international team –– including anthropologists, artists, art historians, forensic experts, genealogists, microbiologists, physicians, and population geneticists –– has assembled to uncover new facts and insights about Leonardo. One of the ambitious goals of the team is to use pioneering methods to obtain traces of DNA attributable to Leonardo from artworks, notebooks or other sources.

On Monday, February 12, three members of The Leonardo DNA Project team – Jesse Ausubel, Karina Åberg, and Thomas P. Sakmar – will describe the origins of this remarkable project, provide a progress report on their research, and reflect on how this scientific inquiry may contribute to art history and conservation, while uncovering new information about Leonardo’s life, ancestry and exceptional abilities.

Jesse Ausubel, Director of the Program for the Human Environment at The Rockefeller University, has helped design and conduct major international research programs, including the Census of Marine Life, Barcode of Life initiative, and Encyclopedia of Life. His lab is now using very short sequences of loose DNA found in seawater to assess the status of marine life. He initiated The Leonardo DNA Project in 2014.

Karina Åberg is a visual artist with a longstanding special interest in the application of digital technology to education. Her unique skill set and enthusiasm about digital media and technology have facilitated her innovative contributions to digital design, advertising, communications and teaching. Her early training in Renaissance art techniques has led to several advances as a member of The Leonardo DNA Project since 2015.

Thomas P. Sakmar is a physician-scientist and the Richard M. & Isabel P. Furlaud Professor at The Rockefeller University, where he heads the Laboratory of Chemical Biology and Signal Transduction. His research program is dedicated to chemical biology and drug discovery research. His interest in visual sensory perception and the origins of creativity in science and the arts have led to his involvement in The Leonardo DNA Project since 2014.